When emerging fashion model Emma gets a chance to pursue her dream of becoming an international top model, she leaves her everyday life in Denmark behind, and moves to Paris. At a photo shoot in her new hometown, she meets the attractive photographer Shane White and they fall in love. But their relationship soon turns into a dangerous obsession for Emma.
In 1994 two young twins are found brutally murdered in a summer cottage. A number of clues points in the direction of a group of young upper class students from a nearby boarding school, but the case is closed as a local outsider pleads guilty and is convicted for the murders. When the case ends up on Carls Mørck’s desk 20 years later, he soon realises that something is terribly wrong. As Carl and Assad start investigating the case, they are led on to an old emergency call from a desperate girl who seems to know the secrets of the murders. Soon they are plunged into an intense search for the girl, Kimmie, who has been missing since the murders happened. But Carl and Assad are not the only ones trying to track her down as the girl’s testimonial is of great danger to a group of influential men at the top of society who will do all they can to keep her silent.
REBOUNCE is a colorful, tough and powerful film featuring Frederikke Dahl Hansen in the leading role. She plays opposite Anne Sofie Espersen and Dar Salim, and despite being only 16 years old she portrays toughness, charm, and vulnerability admirably. REBOUNCE is an intense drama. Louise’s mother is just out of prison and in the eyes of a teenager she’s cool, tough and enchanting. To win her love, Louise follows her lead and enters a world of partying, drugs, fast cash and men. Meanwhile, everyone seems to forget that she is just a teenager
Due to climate change a new race of flesh eating predators arise, who invade and eat everything living on earth. In a residential neighbourhood in a Danish suburb nightmare like scenes are being experienced first hand through the eyes of two teenage brothers, who can’t stand each other, but are now suddenly forced to barricade themselves in the basement together, to avoid getting eaten. From one day to another, without parents and without electricity, food, water and contact to other people, the brothers have to learn to live together in their vital protection bunker, while monsters move past the basement windows and heavy, sharp claws can be heard moving around upstairs on the wooden floors.