Beth B takes us into the 21st century underground and reveals a secret world where cutting-edge performers are taking hold of a taboo art form, Burlesque, and driving it to extremes that most people have never seen. It’s satire. It’s parody. It’s a populist blend of art and entertainment that gives new meaning to the word “transgression.” Above all, it’s a lot of fun, and it will blow your mind.
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A young man from the Congo in search of his brother attempts to cross Europe’s borders. In Morocco, he teams up with a sharp-witted British runaway who pinched his stepfather’s recreational vehicle in order to escape from a family holiday. On their journey, the disparate duo have to make decisions that will also influence the lives of others.
Two years after a high-school prank involving flesh-eating acid nearly kills popular teacher Mr. Balszack, the graduating class of Sloppy Secondary holds a ’24-Hour Famine’ charity event on school grounds. But there’s an uninvited guest at this event, masquerading as the school’s handyman mascot, and he’s got an insatiable hunger of his own.
After finishing the open examination for Form 5 students and applying for an adult identity card, Yoyo, eighteen, departs for London to meet a guy introduced by her well-meaning parents in Britain. The guy, named Cheung, is in his thirties. Yoyo’s and Cheung’s grandfathers were wartime buddies. They swore to have their unborn babies get married when they grew up. However, the babies turned out to be both women. The two women are now mothers. They come across each other again and want to make their fathers’ wish come true, so they arrange for Yoyo and Cheung to meet in London. Yoyo and Cheung promise to get marry in order to please their mothers. But on the wedding day, they also sign a divorce agreement which is effective one year after their marriage.
Andre and Colette Bertier are happily married. When Colette introduces her husband to her flirtatious best friend, Mitzi, he does his best to resist her advances. But she is persistent, and very cute, and he succumbs. Mitzi’s husband wants to divorce her, and has been having her tailed. Andre gets caught, and must confess to his wife. But Colette has had problems resisting the attentions of another man herself, and they forgive each other.
Allied forces land at Anzio unopposed but instead of moving straight inland their commanding officer decides to dig in. A battle-hardened war correspondent borrows a jeep and drives to Rome and back without meeting any German forces, but his report on this absence of the enemy is discounted. By the time it is finally decided to make a move the Germans have arrived in strength and a prolonged …
Six men with mid-life anxiety set out for a weekend in the country in an attempt to reconnect with their masculinity. What they find is a catastrophe so horrible and bizarre that a mid-life crisis turns out to be exactly what they need to survive it…
A documentary exploring the birth, death and resurrection of illustrated movie poster art. Through interviews with a number of key art personalities from the 70s and 80s, as well as many modern, alternative poster artists, “Twenty-Four by Thirty-Six” aims to answer the question: What happened to the illustrated movie poster? Where did it disappear to, and why? In the mid 2000s, filling the void left behind by Hollywood’s abandonment of illustrated movie posters, independent artists and galleries began selling limited edition, screenprinted posters — a movement that has quickly exploded into a booming industry with prints selling out online in seconds, inspiring Hollywood studios to take notice of illustration in movie posters once more.
Happily-ever-after continues for Auradon’s power couple as they prepare to say “I do” at an epic celebration with their friends and family, but Hades threatens to ruin it all.