A blind woman, her husband and another couple sail off to find cash hidden on an island near Cuba.
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Spirited New Yorker Linda Voss goes to work for international lawyer and secret Office of Strategic Services operative Ed Leland just before World War II. As they fall in love, the United States enters the fight against Hitler, and Linda volunteers to work for Ed spying undercover behind Nazi lines. Assigned to uncover information about a German bomb, Linda also has personal motives to fulfill: discovering the fate of her Jewish family members in Berlin.
Laura (Florencia Colucci) and her father Wilson (Gustavo Alonso) arrive at a cottage off the beaten path in order to repair it since its owner (Abel Tripaldi) will soon put the house on sale. They will spend the night there in order to start the repairs the following morning. Everything seems to go on smoothly until Laura hears a sound that comes from outside and gets louder and louder in the upper floor of the house. Wilson goes up to see what is going on while she remains downstairs on her own waiting for her father to come down. The plot is based on a true story that occurred in the 1940s in a small village in Uruguay. La casa muda focuses on the last seventy eight minutes, second by second, as Laura tries to leave the house unharmed and discovers the dark secret it hides.
The story involves a white supremist plot to taint the United States water supply with a toxin that is harmless to whites but lethal to blacks. The only obstacles that stand in the way of this dastardly plan are Jim Brown, Fred Williamson and Jim Kelly, who shoot, kick and karate chop their way to final victory.
Tom Fiorini (Anthony Michael Hall, The Dead Zone) owns a successful construction company. After his long time foreman goes missing, events take a drastic turn for the worse. During the search for his foreman, Tom plummets down a slippery slope of violence and hired hit men, only to find the fire with which he plays is much hotter than he could have ever expected. Director Thomas Farone (Nate Dogg) brilliantly creates a haunting, emotional film with richly layered performances by its multi award-winning cast—which includes a tour-de-force by the late Chris Penn, in his final film. Absorbing and complex, Aftermath is a Cinequest 23 highlight and a stylish noir crime thriller that will have audiences talking long after.
An emerging journalist (Jesse Eisenberg), an experienced cameraman (Terrence Howard), and a discredited reporter (Richard Gere) find their bold plan to capture Bosnia’s top war criminal quickly spiraling out of control when a UN representative mistakes them for a CIA hit squad in a light-hearted thriller inspired by Scott Anderson’s popular Esquire article. The Weinstein Company provides stateside
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Headstrong textile student Irina tries to overcome her problems by accepting a summer job offer from an isolated and offbeat village of Kyrsyä. As Irina begins to get a grip of herself, the harmless and offbeat hillbillies begin to reveal their true nature.
An adventurous woman with a secret from her husband insists they go for a romantic camping trip in a remote wood to reconnect and share some quality time. But their idyll is shockingly cut short after a group of nearby hunters are brutally killed by a mysterious creature. Trapped inside their tent, the couple is forced to help one of the injured hunters and together they plan their escape. Is there really something supernatural hidden in the forest? Or is it just their imaginations running riot. Soon they must determine if the real threat is inside or outside their enclosure
