In the nineteenth century, a French adventurer sets off to establish a kingdom in the inhospitable South of Chile, uniting the feared Mapuche under him. The response of the Chilean army is devastating.
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The Kingdom of Camelot is plunged into darkness after the death of noble King Arthur, as the reign of his cruel sorceress sister, Morgan Le Fay, begins. Commanding three deadly dragons with her dark magic, she hunts the remaining Knights of the Round Table to the ends of the Earth.
Hammer Film’s follow-up to the successful One Million Years B.C. is set in an ancient past when humans and dinosaurs co-exist. Athletic cavewomen and hairy men wander around, grunting, sweating and occasionally sacrificing evil blonde babes to the sun in return for protection from stop-motion beasts. The fun-loving, energetic Sanna (Victoria Vetri), one of the sacrificial offerings, manages to escape during a ritual and joins another tribe where she says ‘necro’ a lot and falls in love with a surprisingly hairless guy.
When Ann, husband George and son Georgie arrive at their holiday home they are visited by a pair of polite and seemingly pleasant young men. Armed with deceptively sweet smiles and some golf clubs, they proceed to terrorize and torture the tight-knit clan, giving them until the next day to survive.
Twelve-year-old Simone feels painfully disconnected from the world after witnessing the brutal death of her mother. Simone, a solitary multimedia artist in her twenties, is struggling to control her crushing panic attacks and keep her day job in an underground parking lot. And Simone, a sixty-year-old physicist, is giving a conference on the nature of time. The three Simones’ lives are intertwined in a labyrinthine meta-world where timeframes overlap, characters multiply, and storylines repeat and expand. But, for all its shuttling forward and back through time, ENDORPHINE remains grounded in the Simones’ inner lives — it’s an artistic examination of scientific phenomena that also poignantly explores how people deal with trauma.
The Edge of love is a love story of two feisty women and a brilliant, charismatic poet who love both women. One woman Vera Phillips who is his first love and whom he lost for ten year, while other one is his present wife Caitlin who is adventurous and felt same adventurous nature in this charismatic poet, Dylan Thomas, also.
Told in four episodes, an unnamed artist is transported through a mirror into another dimension, where he travels through various bizarre scenarios. This film is the first part of Cocteau’s Orphic Trilogy, which consists of The Blood of a Poet (1930), Orpheus (1950) and Testament of Orpheus (1960).