Oliver’s (Eric Mabius) Divine Delivery Theory is put to the test when he and the POstables (Kristin Booth, Geoff Gustafson and Crystal Lowe) seem to be unable to deliver a damaged letter from a military veteran that’s a matter of life and death
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Set in post-colonial India, Qissa tells the story of Umber Singh, a Sikh who is forced to flee his village due to ethnic cleansing at the time of partition in 1947. Umber decides to fight fate and builds a new home for his family. When Umber marries his youngest child Kanwar to Neeli, a girl of lower caste, the family is faced with the truth of their identities; as individual ambitions and destinies collide in a struggle with eternity.
New friends Erin and Alex discover a mutual attraction that neither of them have ever felt before. While Alex tries to navigate her feelings, Erin refuses to acknowledge that she might be gay and heads down a path of self-destruction. Faced with Erin’s denial, Alex must decide whether to follow her own path, or fight for the first person she’s ever loved.
It is the story, the process of becoming more and simultaneously less than human through technology as it follows a few characters through this transformation of becoming.
Enzo Ceccotti comes into contact with a radioactive substance, then accidently discovers he has superpowers. A touchy, navel-gazing introvert, he’s sure his new capabilities will do wonders for his life of crime, but that all changes when he meets Alessia, who’s convinced he’s the hero from the famous Japanese comic strip, Steel Jeeg Robot.
Tormented by the school bully and overlooked by his father, 12-year-old Jason can’t seem to catch a break. And to make matters worse, something monstrous has started following him.
Alejandro, a tough and ambitious Latino street orphan on the verge of adolescence, lives and works in an auto-body repair shop in a sprawling junkyard on the outskirts of Queens, New York. In this chaotic world of adults, young Alejandro struggles to make a better life for himself and his 16-year-old sister, Isamar.
A police profiler has just returned from psychiatric leave only to find that he is caught up in a serial killer’s rampage. Fighting to keep buried the trauma of his childhood, he must confront the all too-familiar flesh masks that the killer leaves on the faces of his victims. He must face his own demons along with the killer to save his small eroding existence.
Sport and politics most definitely do mix in this gripping look back at a brutal and turbulent time for New Zealand rugby, told from the point of view of the players themselves including David Kirk and Buck Shelford.
Otto Wall is just a little unlucky in life, and unbeknownst to him, in love. When his wife suddenly asks for a divorce, he bounces between a search for answers, desperate attempts to stay connected to his daughter, and his fateful reentry into the dating pool.
Mona Bergeron is dead, her frozen body found in a ditch in the French countryside. From this, the film flashes back to the weeks leading up to her death. Through these flashbacks, Mona gradually declines as she travels from place to place, taking odd jobs and staying with whomever will offer her a place to sleep. Mona is fiercely independent, craving freedom over comfort, but it is this desire to be free that will eventually lead to her demise.